

How many times have you put your instrument together, walked up to your music stand, and started practicing whatever was in front of you? And then, before you knew it, 45 minutes had passed, and you’d gotten zero things accomplished.
I used to assume that meant I wasn’t practicing enough. In reality, I was practicing without intention. And once I started paying attention to how I structured my sessions—not just how long they were—everything changed.
Don’t get me wrong. It’s fun having those play-whatever’s-on-your-stand practice sessions. They can even be grounding. But when you need to make real progress, prepare for a performance, or solve a specific problem, winging it isn’t enough.
In this blog post, you’ll learn 10 ways you can optimize your practice sessions, so you can get more done in less time—and walk out of the practice room knowing exactly what you accomplished.
Let’s get started.
Want to make sure you never miss a thing next practice session? Then be sure to download your free copy of the Practice Audit Checklist.

Make a plan for what you want to practice. It could be incredibly detailed, breaking down exactly what you want to practice and for how long. Or it could simply be a list of what you want to accomplish.
And your practice plan doesn’t need to be anything fancy. You could write it on a post-it, in your phone’s notes app, or in a dedicated practice journal.
Just write down what you want to get done so you can have an effective practice session.
As you’re making your practice plan, write down 3 things you need to get done in that practice session. They could be incremental goals, like “increase the tempo of this excerpt by 10 clicks,” or they could be broader, like “work on the transition into the development.”
Try to avoid writing goals that are general and vague. Not only will it be difficult for you to accomplish those in a practice session, but you’ll feel overwhelmed, too.
Creating practice goals does two things for you:
If you’re interested in learning more about setting achievable practice goals, be sure to check out this post.
It’s so easy to get sucked into a passage or even a piece. To stay on track during your practice session, set a timer.
You can always come back to a section. But if you have only 60 minutes to practice and 5 things to get through, spending 30 minutes on one thing makes it hard to complete the rest.
Track what you actually spend time practicing. Spoiler alert: if it’s a lot of “playing through” or mindless repetition instead of real problem-solving, then I encourage you to evaluate how you’re spending your practice time. That’s why having a practice plan and using a timer is so beneficial.Â
As much as you wish you could spend 45 minutes warming up, sometimes that just isn’t an option. It’s important —and necessary—to create a variety of warmups that work based on your practice window.
Have a full 3 hours? Sure, take some extra time to get a full warmup in. But if you have only a fraction of that time to practice, you need a 5-15-minute warm-up so you can get to work on what you need to accomplish.
If you take away only one piece of advice from this blog post, let it be this: practice what you’re not good at.
I know it’s not fun, and it’s a lot of work. But the thing that’s likely holding you back? It’s probably the thing you don’t want to practice. The thing you always put off until tomorrow.
But if you truly want to grow and play those dream pieces, you need to practice what you’re not good at.
When you have a wide array of problem-solving options for learning challenging passages and repertoire, you save time—and you build reliability. When nerves kick in, your brain doesn’t stop to analyze. It defaults to the strongest, most familiar pathways it has available.
That’s why repetition matters—but only when it’s accurate. Every time you play a passage, you’re reinforcing an execution plan. If incorrect notes have been reinforced more consistently than correct ones, that’s the plan your brain is most likely to execute when the pressure’s on.
Learning a passage in multiple, deliberate ways helps ensure that the right pathways are the ones your brain reaches for in performance.
This is a core concept I teach inside The Practice Code for Musicians, and it’s one alumni consistently point to as a turning point in their practice—especially when preparing for high-stakes performances.
Optimizing your practice routine doesn’t always mean spending more time with your instrument in your hands. Some of the most effective work happens before you play a single note.
Mental run-throughs, score study, and physical gestures train your brain and body in different—but complementary—ways. They clarify what you’re aiming for so that when you return to the instrument, your playing is more focused and efficient.
Related: 5 Surprising Ways to Strengthen Technique—No Instrument Required
You will be the most productive when you practice at your mental peak, not when you’re fried after an 8-hour day.
Most musicians have a window when learning feels easier and concentration is sharper. That’s the best time to tackle demanding work like problem-solving or learning new passages, rather than forcing it into a convenient slot.
And your peak practice window may change as you grow. In college, I was the most productive at night, likely because that’s when I wasn’t going between classes and rehearsals. But then, when I went to grad school and was married, my peak practice time shifted to the mornings because I couldn’t keep my husband awake practicing until midnight.
It’s easy to go through the motions of playing scales and drilling passages, thinking only about technique. But it’s important to remember that music is like a language, not some mechanical, robotic output. It’s meant to communicate.
As you’re practicing, bring your musicality into your woodshedding. Don’t add it on at the last minute. You need to practice phrasing, color shifts, and nuance alongside the technical work. Plus, when you understand the intent of a phrase, it often makes the technical side easier to understand and play.
At the end of the day, optimizing your practice routine isn’t about squeezing more into your schedule—it’s about being intentional with what you already have.
You don’t need a perfect routine or endless hours to make progress. You need strategies that support your focus, your nervous system, and your artistry. When those pieces align, practice stops feeling like a grind and starts feeling productive again.
Pick one or two ideas from this list and put them to work. Use them consistently, observe the results, and adjust as needed. That’s how effective practice turns into real, lasting progress.
⬇️⬇️⬇️ Don’t forget to grab your copy of the Practice Audit Checklist so you never miss a beat in your next practice session. ⬇️⬇️⬇️


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You deserve to have a musical toolkit that allows you to thrive. I combine my expertise as a professional flutist and software developer to give you a methodical, science-backed approach to learning even the most difficult music efficiently and effectively.
I combine it with elements of the Alexander Technique and the art of musical storytelling and interpretation to help you eliminate anxiety and perform effortlessly and with ease. Your playing matters—you have something to say, and I'm here to help you say it.

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